#WeekendCoffeeShare: It’s Moving!

weekend coffee share logo hosted at parttimemonsterblog.com

If we were having coffee, I’d advise you to sit a little bit away so as not to catch any of my flu germs–because yes, unfortunately, the flu has finally made its way to our house. I’m a bit of a sneezy, coughy, runny-nosed mess right now, so perhaps it’s best that we’re sharing our coffee virtually.

I would also tell you, over our virtual coffee, that you’re about to see some major changes where the weekend coffee share is concerned, because it’s getting a new home. Starting next week, the weekend coffee share will be hosted at Nerd in the Brain, and Emily will be taking over the week-to-week operations of the link-up.

It’s taken me a long time to make this decision and to commit to it. I’ve hung onto the link-up for a while now, though writing each week has taken a great deal of energy. The community is a vibrant and close-knit one, with far more readers and commenters than I imagined would be a part of this when I started the link-up in 2014. So part of me really wanted to hang on to this part of my little corner of the internet, this thing that I’ve built. But another part of me knows that it’s time to make a shift. My posts have become less compelling conversation than chatter about my week, and over the past few months I’ve become more and more lax about doing the things that keep the coffee share community close–answering comments and reading, commenting on, and sharing everyone else’s posts. In large part, this is because when I didn’t calculate how the coffee share would fit in with the content I wanted to run when I switched my blog over, and in large part, this is also because I’ve done this each week for a little more than 2 years now, and the routine has become overwhelming.

Of course, moving the weekend coffee share link up doesn’t mean that I won’t ever be writing coffee share posts anymore…It just means that I’m taking a bit of a backseat and becoming a participant rather than the sole person in charge of making and running the link-up. Emily has agreed to do that, and I think that she will do a fantastic job. Emily currently runs Three Things Thursday, another weekly link-up, and she also runs hosts challenges and give-aways at Nerd in the Brain so the link-up is in safe hands.  And I’ll be popping in and out, adding my own posts to the list on the weeks that I write one and blissfully free to read and share posts that you guys write.

The content here, at Part-Time Monster, is going to get louder and more political. In the face of DT’s presidency and the massive sociocultural and sociopolitical problems that we are facing, I can’t stay silent. Feminist Fridays will resume this week. You’ll also see me talking more about mental health, focusing on my ongoing problems with anxiety and depression. And you’ll also see me talking about books, films, and comics–because not only does art tell us things about our society, but art is good for us in times like these. Art is not just frivolity, though it certainly can be frivolous.

And so…This is goodbye but not goodbye. I’ll be here, talking about all sorts of stuff, and I’ll sometimes jump into the coffee share as a participant, but this is my last week hosting the coffee share. Starting 2/18, look for the weekend coffee share on Nerd in the Brain!  🙂

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The Princess Bride: Book Vs. Film

When I was fairly young, my dad decided to rent The Princess Bride (1987). Back then, we had one of those huge, wood-encased TVs, and we lived too far out of the small town that I grew up the-princess-bride-posterin to get cable TV at our house. Instead, we had this huge satellite in our yard and a box on the TV that would turn the satellite, allowing us to get an additional two channels–bringing us to a grand total of four channels. But we had a VHS player, and there was a local video store. Fridays were “stay up late nights,” and my dad and I would rent a movie or two.

My dad’s predilection for romantic comedies with happy endings makes me think he chose the movie, but it could’ve been one of my siblings. The thing is–I don’t remember seeing it for the first time. I just remember loving it. I doubt I chose The Princess Bride the first time I watched it, but I remember choosing it many times after that.

It wasn’t until 2003, though, that I realized The Princess Bride was based on a book published The Princess Bride 30th Anniversary Edition_2in 1973. I was wandering through a bookstore, a sophomore college student hunting for summer reading, when I saw a display of the 30th anniversary edition. I think I probably let out an audible laugh as I picked it up. And I let out a lot more laughs as I read the novel. I’m hard-pressed to tell you whether I prefer the novel or the film. Though there are some key differences, they retain the same basic plot.

The Story:

Buttercup and Westley fall in love. They are parted as Wesley goes to earn his fortune; Buttercup is betrothed to Prince Humperdink after Westley fails to return for several years. Huperdink arranges for Vizzini, Fezzik, and Inigo to capture and kill her to start a war; Westley, disguised as the Dread Pirate Roberts, steals Buttercup back from the group. But Buttercup and Westley are lost in the Fire Swamp, after which they are captured by the Prince. Wesley is killed but then rescued and revived by Fezzik and Inigo; the group escapes on the night Buttercup is supposed to be married.

Film Versus Book:

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Perhaps the biggest change from book-to-film is the frame story. Both frame stories involve the book being read aloud, but the frame story in the novel is more elaborate. In the novel, we are introduced to the story as an abridged version of a longer work by S. Morgenstern. We’re led to believe that Goldman bought the book for his son, not realizing that he enjoyed the story because his father read it aloud, skipping the boring parts. This is supposed to be Goldman’s abridged, only-the-good-parts version. And that makes for really good reading—we get moments that Goldman is able to satirize the publishing industry, question the literary canon, and explore just what the differences are between what kids enjoy and what adults enjoy (if there are any).

That frame is partially eliminated in the film. What we get instead is a grandfather reading a story to a sick little boy. The retention of a frame works to keep us considering the film as a text (and really, that’s one of the most important functions of the original frame story). We’re aware that it’s all made up, and every time the film stops so that the grandfather and young boy can talk, we’re thrown back into that realization.

In addition, the back-stories of the characters are mostly simplified or lost in the film. Naturally, this has to happen. Goldman’s book is a bit lengthy, with a sprawling cast of Princess Bride_3characters and events that occur over time. On film, the simplifications work to provide a cohesive visual story that works within the also simplified frame. Fezzik and Inigo are both given fuller back-stories in the novel, rendering them more fully fleshed out characters. In the film, it is enough to know that they are with Vizzini and to know that Inigo’s father was killed by the six-fingered man. The book, in addition, gives us more reason for the conflict between Florin and Guilder, as Prince Humperdink feels tricked when he discovers that his betrothed, princess of Guilder, is bald.

The love story between Buttercup and Westley is also simplified. In the novel, Buttercup realizes that she loves Westley after becoming jealous of the way the visiting Countess Rugen looks at him, and she tells him, only to have the door slammed in her face. He of course informs her soon after that he does love her but must go and make his fortune first. In the film, this is simplified to Buttercup realizing Westley’s love one day when he says “as you wish” and the two professing their love before he leaves to seek his fortune.

Vizzini’s plot to capture and kill Buttercup and Westley’s pursuit of the group are almost identical in film and book. The film has Fezzik knock Buttercup unconscious; in the novel it is Vizzini. The group notices the ship’s pursuit before Buttercup throws herself overboard in the film; in the book the group notices the ship after Buttercup is returned to the boat. The film has shrieking eels; the novel has sharks. During the sword fight, Inigo is able to wound princess-bride-westley-and-buttercup-8476325-1280-720Westley in the book, but in the film he is not able to. Vizzini’s death is much the same in both versions. And the pacing of the swamp scene is faster in the film version, the couple barreling toward Prince Humperdink.

In another large change, the book’s Zoo of Death is replaced by the Pit of Despair. In the book, one of the first things we learn about Prince Humperdink is that he’s an avid hunter. The Zoo of Death is a 5-story building full of dangerous animals; Humperdink kills one of them a day. In the novel, when Westly is caught by Prince Humperdink, he is sent into the Zoo of Death. He is tortured for a month or more before being finished off by the Machine. In the film, he is instead thrown into the Pit of Despair, attended
by the albino, is only hooked up to The Machine, and his torture only seems to last a day or two. This vastly simplifies Westley’s rescue, as Fezzik and Inigo only have to walk in to retrieve Westley rather than fight through 5 levels of creatures.

The visit with Miracle Max retains its book form, though the film makes a small change by not mentioning the 1 hour limit that the novel places upon the miracle pill. In each version, though, Westely manages to remain alive, fight Humperdink, and leave him tied up, and retrieve Inigo (who has gotten revenge on the six fingered Count who killed his father), Fezzik, and Buttercup, and the group escapes on horseback.

The Verdict:

I find it difficult to choose between the two. The nostalgia that I experience when I watch the film gives it big ups. And the quotable quotes are everywhere. Rob Reiner masterfully directed, and the film had the bonus of having the novel writer as its screen adapter. But the entertainment of Goldman as an editor in the novel’s frame story is difficult to match, and I miss the back stories of Fezzik and Inigo when we lose them in the film. So the film wins, but only by a small margin. If you haven’t I seriously suggest checking out this book—it’s well worth the time, and you’ll probably laugh out loud.

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*Note: This post initially appeared as a contest entry for The Artistic Christian’s Summer Blogging Challenge (And it won! :D). It gets a re-post today as part of the Princess Bride Linkup Party at WriteOnSisters.